Eric Hillis

Film Review: No Ordinary Campaign

In 2014, the internet was awash with clips of people pouring buckets of ice wate…

Film Review: The Land of Ahimsa

The ancient Indian concept of ahimsa is central to many of the region’s religion…

Film Review: More Than Ever

Since her breakout role in Paul Thomas Anderson’s Phantom Thread, Vicky Krieps h…

Film Review: EO

Anyone still suffering nightmares because of a childhood viewing of Bambi may wi…

Film Review: Corsage

Many viewers may take issue with the attitude of the main subject of Corsage, Ma…

Film Review: Tori and Lokita

Belgian filmmakers Luc and Jean-Pierre Dardenne have spent their careers making …

Film Review: No Bears

Despite being the subject of a filmmaking ban imposed by the Iranian government,…

Film Review: Utama

Utama, which has been chosen as Bolivia’s Academy Awards submis-sion, opens with…

Film Review: Girl Picture

Mimmi (Aamu Milnoff), Rönkkö (Eleonoora Kauhanen), and Emma (Lineea Leino) are a…

Film Review: The Other Tom

Filmmakers Laura Santullo and Rodrigo Plá, who are Uruguayans based in Mexico, c…

Film Review: A Sexplanation

Director Alex Liu opens his documentary with a quote from the actress Marlene Di…

Film Review: We Burn Like This

When an angry man throws a beer bottle from his truck and yells “Go back to your…

Film Review: Bad Axe

2020 wasn’t a great year for Asian-Americans in the hospitality trade. Forced to…

Film Review: Royalty Free

Kevin MacLeod is a composer with more IMDB credits than John Williams, Ennio Mor…